Back to the top

LEGEND

INVASION FROM WITHIN ..:.. VICTORY WITHOUT WAR

INVASION FROM WITHIN

~LEGEND

DATUM: RELEASED ON 6NOV021
HOTEL ANACHRON, LOST ANGLES

 

+
+
+

YOU REMEMBER THIS FROM SCHOOL DAYS?

A LEGEND IS THE KEY TO UNDERSTANDING
THE SYMBOLS OF A MAP

+
+
+

THROUGHOUT THIS COMPENDIUM,
ENTITLED “INVASION FROM WITHIN”,

MORE WILL BE ADDED TO THE
FOLLOWING: ::::::::

 

< LEGEND >

TEXT BLUE: TITLE
TEXT YESIL: CONCEPT
TEXT GIALLO: VOICE-OVER
TEXT RED: DIRECTION
TEXT TURKUAZ: META-TEXT
TEXT PINK: INTERTITLE

< LEGEND / >

 

PURPOSE: INTRODUCING
A NEW DEPTH OF FIELD
IN THE TEXTUAL REALM

I SHALL EXPLAIN TO YOU
THE SIGNIFICANCE OF EACH
CODE AND THEIR UNIQUE FUNCTIONS

:: LIGHT BULBS WILL
GO OFF IN YOUR HEAD
I TELL YA ::::::
:: LIVE BOLTS ::

 

 

* * * ][ * * *

 

 

>> FACT OF LIFE <<

IF YOU DON’T WRITE, YOU WILL NEVER ACCESS THE FERTILE CRESCENT. NEVER.

WRITING IS PREREQUISITE TO CONCEPTION, AND ITS INVERSION READING!

ONLY THRU CONCEPTUALISATION COMES THE EXPRESSION WITH GRAVITY AND MAGNITUDE TO BEAT THE DIMINUTIVE ORDER OF LANGUAGE IN THE HANDS OF MANUPULATIVE CUNTS.

READ/WRITE/ OVERWRITE/READ

THE GOAL IS NOT ARBITRARY:

^ THE EARTHQUAKE OF MEANING

^ THE FLASH OF REVELATION

^ THE BIRTH OF SOMETHING KINETIC

IN MOTION
ALIVE LIKE
THE ABC

 

>> FACT OF LIFE / <<

 

 

[•] TITLE-MAKING

 

<> TITLES ARE EXTREMELY IMPORTANT <>
ALL TITLES WILL APPEAR IN BLUE

FOR EXAMPLE } } } }
FOUNTAIN OF SPARKS
PROVOCATIONS FOR ENTHUSIASM
INTERMITTENT LUNACY
BARB CONCERTO

TITLE-MAKING IS THE MOST FOUNDATIONAL
ASPECT OF ALL MY CREATIONS.

EVEN MY MUSIC IS DRIVEN TO ITS
BODY WITH TITLES AT BIRTH.

A TITLE COMES FROM A COMPLEX CONCEPTUAL WOUND THAT HAS TO BLEED ITS BRILLIANCE TO ALTER THE PSYCHE OF ITS CREATOR. PER work. PER whatever you must create to facilitate the higher consciousness in you.

 

 

\\ IN ADDITION //

 

 

+ TITLES COG A WHEEL THAT GIVE VELOCITY TO THE UNILATERAL EXPRESSION OF MASTERY

+ TITLES ARE THE PORT TO MEDITATION

= THEY ARE WHOLLY HOLY + FRAGMENTS OF THE ENTIRE SYMPHONY

THEREFOR,
NOTHING, NOTHING ESCAPES ITS OWN TITLE
DEFINITION equals
POETIC CLAW
POETIC LAW
POETIC AWE

 

< POWER OF DEFINITION >

YOU MAY BE A PAINTER AND LEAVE THE WORK UNTITLED
BUT, IN THE MIND THERE IS A SCREAMING
TITLE, WHICH HAS THE POWER TO TAKE THE THING TO A HIGHER GROUND

 

!!! GUERNICA VERSUS NIGHTMARE OR ORGY OR WHATEVER PICASSO DIDN’T NAME THAT PAINTING !!!

GUERNICA’S DEFINITION MAKES THE WORK FIND ITS KINETIC MEANING TO JUMP OUT

IT CONTEXTUALISES THE PIECE OPTIMALLY.

< POWER OF DEFINITION / >

0 0 0 9

BOOM

+ READ THESE TITLES ALOUD THIS TIME,
THERE COMES THE IMPORTANCE OF AUDITION
FOUNTAIN OF SPARKS
PROVOCATIONS FOR ENTHUSIASM
INTERMITTENT LUNACY
BARB CONCERTO

!! HEAR THE PHONETIC BEAUTY !!
!! FEEL THE PROFOUND MEANING !
!! IT AIN’T TALENT, BUT THE MIND!

\

\

 

[•] CONCEPTS

 

<> BUILDING BLOCKS OF INTELLECT <>
ALL CONCEPTS WILL APPEAR IN GREEN

FOR EXAMPLE } } } }
THE REQUIRED CONSTANT
PRISM OF THE BINARY
ARCHEOLOGY OF THE PSYCHE
IMAGE-REALITY

 

# ALL CONCEPTS WILL BE INDEXED IN THIS GLOSSARY #
# PROPERTY OF THE MAP OF THE UNIVERSE #

 

_*_

 

EARLIER WHAT I REFERRED TO AS THE FERTILE CRESCENT IS NONE OTHER THAN THE ARENA OF RUMINATION THAT
DEVELOPS THRU PHENOMENA THAT IS BEGGING YOU TO BE IDENTIFIED.

!! LANGUAGE IS THE GENERATIVE PROPERTY OF THE MIND

{ I.E.BIBLICAL : WORD – THAT WHICH CONTAINS THE IMAGE AND THE SOUND IN NATURE,
HUMANISED AS COGNISANT MESSAGES = MEANINGS }

O H Y E A H

+
+

BECAUSE, I WRITE PROFUSELY – how else, could one
harvest the field of thought? –
CONCEPTS PREORDER THE CROWNING ACHIEVEMENT OF
THE MONOLITHIC MENTAL MONUMENT, NATURALLY,
LIKE BEESWAX PREORDERS HONEY.

 

– WHAT IS THE CROWNING ACHIEVEMENT?
– CONSCIENCE! THE MONOLITHIC MENTAL MONUMENT!

THAT WHICH IS WHOLE AND ACCESSIBLE THROUGH CONTEMPLATION

 

YOU SEE, HOW A CONCEPT ASSERTS ITSELF INTO THE MIX.IT HAD TO BE BORN IN THIS CONTEXT TO MAKE YOU CONSIDER SOMETHING THAT IS OTHERWISE OBSCURE.

 

DRUMROLL : credit where its due >>

 

THE PROCESS OF COMPACTING A PHENOMENA INTO A PHRASE AND THEN EXTRACTING IT TO AN EXPLANATORY PARAGRAPH IS THE ACCORDION I PLAY AS A PHILOSOPHER.

 

THIS TEXT-THOUGHT SYSTEM DOESN’T GROW ON ALGORITHM TREES. IT ORIGINATES FROM THIS MIND. BECAUSE, I AM A POET, THESE CONCEPTS ARE EXPRESSED IN A MELODIOUS AND IMPACTFUL TERMINOLOGY.

 

O! CHILDREN OF THE EARTH, SHUT YOUR EYES TO THE IMAGE AND OPEN THE PORES TO THOUGHT.

 

+ FURTHERMORE +

 

THE CONCEPTS LIKE MONOLITHIC MENTAL MONUMENT
ARE BY DEFAULT TITLES. ON IT,
I COULD WRITE A BOOK OR AN ALBUM
>>PLAN A MURDER OR START A RELIGION<<JIM

 

 

{ VOICE-OVER }

 

– You see, how fundamental title-making is in the end. There is a wormhole in the micron of meaning to infinity, the magnetic field between name and being.

 

{ VOICE-OVER / }

 

PREMATURE EJECULATIOH

\

\

 

 

[•] VOICE-OVER

 

< CINEMATIC SUBTITLE AS YOU KNOW IT >
ALL VOICE-OVERS WILL APPEAR IN GIALLO

 

– Giallo is yellow in Italian. One third of my life and work is based there, that’s why certain portion of my work will be in Italian.

 

SOMETIMES, A VOICE HAS TO RIP THRU
THE CONSTRUCTION AND PERSONALISE THE SPACE.

SOMETIMES IT WILL GIVE YOU
1 SECRETS
2 WISDOM
3 WRATH AND DEMOLITION

[ III3 ]

LET’S GO TO : DIRECTIONS >>

\

\

 

 

[•] DIRECTIONS

 

< DIRECTIVES OF THE ARCHITECT TO THE BUILDER >
ALL DIRECTIONS WILL APPEAR IN RED

 

FOR INSTANCE >

INSERT A SCREENSHOT TO ILLUSTRATE HOW DIRECTIONS FUNCTION DURING THE CONSTRUCTION OF A SEGMENT + SEQUENCE + CHAPTER + EPOCH

+

NORMALLY, I WOULD HAVE DELETED THE NOTE AFTER FULFILMENT, HOWEVER, WHERE I AM TAKING YOU
THERE WILL BE LOADS OF THESE PLACEHOLDERS IN NEW VAGUE CITY. SO, IT’S A MUST. A VIABLE METHOD FOR YOU TO DEPLOY.

+

DURING CREATION; A NON LINEAR PROCESS, THE CREATOR JUMPS AROUND AND CREATES THE WORK WITH STROKES
OUTLINING SECTIONS, BECAUSE THE MIND WORKS FASTER THAN THE HANDS.

 

{ VOICE-OVER }

— in fact, at this moment, i am editing the section above: CONCEPTS, while writing this segment and composing a song, i am gonna have to take a bath soon, and i do wish she was here to kiss me on my neck. You may learn who she is in the 1ST EPISOD OF INVASION FROM WITHIN currently in post-production.

{ VOICE-OVER / }

+
+

SO, AS THE ARCHITECT, I HAD TO INVENT A METHOD TO INSERT NOTES FOR THE ENGINEER AND THE BRICKLAYER (ALSO ME) TO FOLLOW UP AND CONCLUDE THE WORK WHILE I STIMULATE MYSELF IN SOME OTHER GALAXY UNDER ANOTHER TITLE, IN ANOTHER MEDIUM.

+
+

 

>> FACT OF LIFE <<

 

THE MIND IS THE MASTER! THE HANDS ARE THE SLAVES. NOT THE OTHER WAY AROUND! A GIRAFFE’S ADVANTAGE IS A CROCODILE’S NIGHTMARE 🙂

 

>> FACT OF LIFE / <<

 

THIS POWERFUL TOOL WAS DEVELOPED IN FINAL CUT, THE PROGRAMME I USE FOR THE MONTAGE OF MY FILMIC REALITY, FROM NOW ON IT WILL BE VISIBLE.

\

\

 

 

[•] META-TEXT

 

< ABOVE AND BEYOND BEATS A HIGHER PULSE >
A META-TEXT WILL COMPOSE ACROSS SENTENCES ON A PAGE IN TURKUAZ WORDS.

– Turkuaz is turquoise in Turkish. One third of my life and work is based there. All that is 9, the child within myself.

 

I INVENTED THE META-TEXT IN BARB CONCERTO, MY FIRST BOOK WRITTEN IN 2002.

 

FOR EXAMPLE >>

This is automatic writing, i exercise without preconception, scattering words across this page for the sake of busting the padlock of silence.

WORDS PADLOCK SILENCE

You see, between the lines lie the river of gold.

SEE LINES OF GOLD

Aren’t you in a labyrinth looking for the exit, but heading straight to the centre, where the minotaur awaits the unease you are dying to bring home?

A LABYRINTH LOOKING FOR THE MINOTAUR

{ 0 x 0 }

 

<< FACT OF LIFE >>

POETRY IS THE HEART AND SPINE OF ALL THINGS HUMAN

<< FACT OF LIFE / >>

 

WORDS PADLOCK SILENCE
SEE THE LINES OF GOLD,
A LABYRINTH LOOKING FOR THE MINOTAUR

\

\

[•] INTERTITLE

 

 

~ STRAIGHT FROM
SILENT CINEMA
COMES THE INTERTITLE!

 

IMAGINE A FURIOUS PIANO SCORE
THE END OF HOLLYWOOD : >>

EXIT LEGEND :/

//: CUT

9

~LEGEND

DATUM: RELEASED ON 6NOV021
HOTEL ANACHRON, LOST ANGLES

 

+
+
+

YOU REMEMBER THIS FROM SCHOOL DAYS?

A LEGEND IS THE KEY TO UNDERSTANDING
THE SYMBOLS OF A MAP.

+
+
+

THROUGHOUT THIS COMPENDIUM,
ENTITLED “INVASION FROM WITHIN”,

MORE WILL BE ADDED TO THE
FOLLOWING: ::::::::

 

< LEGEND >

BLUE: TITLE
YESIL: CONCEPT
GIALLO: VOICE-OVER
RED: DIRECTION
TURKUAZ: META-TEXT
PINK: INTERTITLE

< LEGEND / >

 

PURPOSE: INTRODUCING
A NEW DEPTH OF FIELD
IN THE TEXTUAL REALM

I SHALL EXPLAIN TO YOU THE SIGNIFICANCE OF EACH CODE AND THEIR UNIQUE FUNCTIONS

 

:: LIGHT BULBS WILL
GO OFF IN YOUR HEAD
I TELL YA ::::::
:: LIVE BOLTS ::

 

* * * ][ * * *

 

>> FACT OF LIFE <<

IF YOU DON’T WRITE, YOU WILL NEVER ACCESS THE FERTILE CRESCENT. NEVER.

WRITING IS PREREQUISITE TO CONCEPTION, AND ITS INVERSION READING!

ONLY THRU CONCEPTUALISATION COMES THE EXPRESSION WITH GRAVITY AND MAGNITUDE TO BEAT THE DIMINUTIVE ORDER OF LANGUAGE IN THE HANDS OF MANUPULATIVE CUNTS.

READ/WRITE/ OVERWRITE/READ

THE GOAL IS NOT ARBITRARY:

^ THE EARTHQUAKE OF MEANING

^ THE FLASH OF REVELATION

^ THE BIRTH OF SOMETHING KINETIC

IN MOTION
ALIVE LIKE
THE ABC

 

>> FACT OF LIFE / <<

 

 

[•] TITLE-MAKING

 

<> TITLES ARE IMPORTANT <>
ALL TITLES WILL APPEAR IN BLUE

FOR EXAMPLE } } } }
FOUNTAIN OF SPARKS

PROVOCATIONS FOR ENTHUSIASM

INTERMITTENT LUNACY

BARB CONCERTO

TITLE-MAKING IS THE MOST FOUNDATIONAL
ASPECT OF ALL MY CREATIONS.

EVEN MY MUSIC IS DRIVEN TO ITS
BODY WITH TITLES AT BIRTH.

A TITLE COMES FROM A COMPLEX CONCEPTUAL WOUND THAT HAS TO BLEED ITS BRILLIANCE TO ALTER THE PSYCHE OF ITS CREATOR.
PER work.
PER whatever you must create to facilitate the higher consciousness residing in you.

 

 

\\ IN ADDITION //

 

 

+ TITLES COG A WHEEL THAT GIVE VELOCITY TO THE UNILATERAL EXPRESSION OF MASTERY

+ TITLES ARE THE PORT TO MEDITATION

= THEY ARE WHOLLY HOLY + FRAGMENTS OF THE ENTIRE SYMPHONY

THEREFORE,
NOTHING, NOTHING ESCAPES ITS OWN TITLE
DEFINITION equals
POETIC CLAW
POETIC LAW
POETIC AWE

 

< POWER OF DEFINITION >

YOU MAY BE A PAINTER AND LEAVE THE WORK UNTITLED
BUT, IN THE MIND THERE IS A SCREAMING
TITLE, WHICH HAS THE POWER TO TAKE THE THING TO A HIGHER GROUND

!!! GUERNICA VERSUS NIGHTMARE OR ORGY OR WHATEVER PICASSO DIDN’T NAME THAT PAINTING !!!

GUERNICA’S DEFINITION MAKES THE WORK FIND ITS KINETIC MEANING TO JUMP OUT

IT CONTEXTUALISES THE PIECE OPTIMALLY.

< POWER OF DEFINITION / >

0 0 0 9

BOOM

 

+ READ THESE TITLES ALOUD THIS TIME,
THERE COMES THE IMPORTANCE OF AUDITION
FOUNTAIN OF SPARKS

PROVOCATIONS FOR ENTHUSIASM

INTERMITTENT LUNACY

BARB CONCERTO

!! HEAR THE PHONETIC BEAUTY !!
!! FEEL THE PROFOUND MEANING !!
!! THIS DOESN’T TAKE TALENT, BUT THE MIND!!

\

\

 

[•] CONCEPTS

 

<> BUILDING BLOCKS OF INTELLECT <>
ALL CONCEPTS WILL APPEAR IN GREEN

FOR EXAMPLE } } } }
THE REQUIRED CONSTANT

PRISM OF THE BINARY

ARCHEOLOGY OF THE PSYCHE

IMAGE-REALITY

 

# ALL CONCEPTS WILL BE INDEXED IN THIS GLOSSARY #
# PROPERTY OF THE MAP OF THE UNIVERSE #

 

_*_

 

EARLIER WHAT I REFERRED TO AS THE FERTILE CRESCENT IS NONE OTHER THAN THE ARENA OF RUMINATION THAT DEVELOPS THRU PHENOMENA THAT IS BEGGING YOU TO BE IDENTIFIED.

!! LANGUAGE IS THE GENERATIVE PROPERTY OF THE MIND

{ I.E.BIBLICAL : WORD – THAT WHICH CONTAINS THE IMAGE AND THE SOUND IN NATURE, HUMANISED AS COGNISANT MESSAGES = MEANINGS }

O H Y E A H

+
+

BECAUSE, I WRITE PROFUSELY – how else, could one
harvest the field of thought? –
CONCEPTS PREORDER THE CROWNING ACHIEVEMENT OF
THE MONOLITHIC MENTAL MONUMENT, NATURALLY,
LIKE BEESWAX PREORDERS HONEY.

– WHAT IS THE CROWNING ACHIEVEMENT?
– CONSCIENCE! THE MONOLITHIC MENTAL MONUMENT! + THAT WHICH IS WHOLE AND ACCESSIBLE THROUGH CONTEMPLATION

YOU SEE, HOW A CONCEPT ASSERTS ITSELF INTO THE MIX.IT HAD TO BE BORN IN THIS CONTEXT TO MAKE YOU CONSIDER SOMETHING THAT IS OTHERWISE OBSCURE.

 

DRUMROLL : credit where its due >>

 

THE PROCESS OF COMPACTING A PHENOMENA INTO A PHRASE, AND THEN EXTRACTING IT TO AN EXPLANATORY PARAGRAPH IS THE ACCORDION I PLAY AS A PHILOSOPHER.

THIS TEXT-THOUGHT SYSTEM DOESN’T GROW ON ALGORITHM TREES. IT ORIGINATES FROM THIS MIND. BECAUSE, I AM A POET, THESE CONCEPTS ARE EXPRESSED IN A MELODIOUS AND IMPACTFUL TERMINOLOGY

O! CHILDREN OF THE EARTH, SHUT YOUR EYES TO THE IMAGE AND OPEN THE PORES TO THOUGHT.

 

+ FURTHERMORE +

 

THE CONCEPTS LIKE MONOLITHIC MENTAL MONUMENT ARE TITLES BY DEFAULT.
ON IT,
 I COULD WRITE A BOOK OR AN ALBUM
>>PLAN A MURDER OR START A RELIGION<<JIM

{ VOICE-OVER }

 

– You see, how fundamental title-making is in the end. There is a wormhole in the micron of meaning to infinity, the magnetic field between name and being.

 

{ VOICE-OVER / }

 

PREMATURE EJECULATIOH

\

\

 

 

[•] VOICE-OVER

 

< CINEMATIC SUBTITLE AS YOU KNOW IT >
ALL VOICE-OVERS WILL APPEAR IN GIALLO

 

– Giallo is yellow in Italian. One third of my life and work is based there, that’s why certain portion of my work will be in Italian.

 

SOMETIMES, A VOICE HAS TO RIP THRU
THE CONSTRUCTION AND PERSONALISE THE SPACE.

SOMETIMES IT WILL GIVE YOU
1 SECRETS
2 WISDOM
3 WRATH & DEMOLITION

[ III3 ]

\

\

 

 

[•] DIRECTIONS

 

< DIRECTIVES OF THE ARCHITECT TO THE BUILDER >
ALL DIRECTIONS WILL APPEAR IN RED

FOR INSTANCE >

INSERT A SCREENSHOT TO ILLUSTRATE HOW DIRECTIONS FUNCTION DURING THE CONSTRUCTION OF A SEGMENT + SEQUENCE + CHAPTER + EPOCH

+

NORMALLY, I WOULD HAVE DELETED THE NOTE AFTER FULFILMENT, HOWEVER, WHERE I AM TAKING YOU THERE WILL BE LOADS OF THESE PLACEHOLDERS IN NEW VAGUE CITY. SO, IT’S A MUST. A VIABLE METHOD FOR YOU TO DEPLOY.

+

DURING CREATION; A NON LINEAR PROCESS, THE CREATOR JUMPS AROUND AND CREATES THE WORK WITH STROKES OUTLINING SECTIONS, BECAUSE THE MIND WORKS FASTER THAN THE HANDS.

 

{ VOICE-OVER }

— in fact, at this moment, i am editing the section above: CONCEPTS, while writing this segment and composing a song, i am gonna have to take a bath soon, and i do wish she was here to kiss me on my neck. You may learn who she is in the 1ST EPISOD OF INVASION FROM WITHIN currently in post-production.

{ VOICE-OVER / }

+
+

SO, AS THE ARCHITECT, I HAD TO INVENT A METHOD TO INSERT NOTES FOR THE ENGINEER AND THE BRICKLAYER (ALSO ME) TO FOLLOW UP AND CONCLUDE THE WORK WHILE I STIMULATE MYSELF IN SOME OTHER GALAXY, UNDER ANOTHER TITLE, IN ANOTHER MEDIUM.

THIS POWERFUL TOOL WAS DEVELOPED IN FINAL CUT, THE PROGRAMME I USE FOR THE MONTAGE OF MY FILMIC REALITY. YOU MAY START SEEING THESE NOTES IN THE FILM.

+
+

>> FACT OF LIFE <<

 

THE MIND IS THE MASTER! THE HANDS ARE THE SLAVES. NOT THE OTHER WAY AROUND!

 

>> FACT OF LIFE / <<

A GIRAFFE’S ADVANTAGE IS A CROCODILE’S NIGHTMARE 🙂

\

\

 

 

[•] META-TEXT

 

< ABOVE & BEYOND BEATS A HIGHER PULSE >
A META-TEXT WILL COMPOSE ACROSS SENTENCES ON A PAGE IN TURKUAZ WORDS.

– Turkuaz is turquoise in Turkish. One third of my life and work is based there. All that is 9, the child within myself.

I INVENTED THE META-TEXT IN BARB CONCERTO, MY FIRST BOOK WRITTEN IN 2002.

FOR EXAMPLE >>

This is automatic writing, i exercise without preconception, scattering words across this page for the sake of busting the padlock of silence.

WORDS PADLOCK SILENCE

You see, between the lines lie the river of gold.

SEE LINES OF GOLD

Aren’t you in a labyrinth looking for the exit, but heading straight to the centre, where the minotaur awaits the unease you are dying to bring home?

A LABYRINTH LOOKING FOR THE MINOTAUR

{ 0 x 0 }

 

<< FACT OF LIFE >>

POETRY IS THE HEART AND SPINE OF ALL THINGS HUMAN

<< FACT OF LIFE / >>

 

\\ : then you can take what has emerged and turn it into a sledgehammer of a certain truth, pure poetry. 

WORDS PADLOCK SILENCE
IF WRITTEN
SEE THE LINES OF GOLD?
DRAWING
A LABYRINTH LOOKING FOR ITS MINOTAUR

\

\

 

[•] INTERTITLE

 

~ STRAIGHT FROM
SILENT CINEMA
COMES THE INTERTITLE!

IMAGINE A FURIOUS PIANO SCORE
THE END OF HOLLYWOOD : >>

 

EXIT LEGEND :/

//: CUT

9