FIRST MUSICAL FRUIT
I played two untitled new songs the other night in live transmission. Some ten hours after the show I went on Youtube to see the beautiful big sign on the video: No Views. At that moment, that title landed right on the appropriate song which shall be known as NO CLICKS, NO VIEWS going forward. From that you can deduce the psyche-activating plot of this sci-fi, film-noir film I am living: despite being a social dynamo, despite being a boundless creative spring, despite living in the alleged centre of the world – in the middle of actual Hollywood – after having shaken NYC Underground for two decades – KiNo is INVISIBLE. He is the Phantom Bloke. He is not a subtle, or subdued character. He can and will knock you out, trample this plastic empire. He is the Madamless Sir who enters Hollywood from the bottom and ends up on top. He is making a multimillion dollar tv show about the greatest acting dynasty in the short and troubled history of America just like that, a hand that can only be dealt by reality. He knows how to split the atoms of reality. And this is exactly, what will unfold on this screen.
+ LIVE TRANSMISSION
NO CLICKS, NO VIEWS 1.0
UNTITLED ANATOLIAN PIANO SONG
MADAMLESS SIR 2.6
+ THE RELEASE
Ricordata presents the first release from KiNo’s generative live show Post-Matrix Throwdown:
“NO CLICKS, NO VIEWS” is a solemn piano piece that conveys a sense of isolation and disconnection from the digitally milled society whose reaction to revolutionary art is painfully nonexistent. KiNo locks up the absence of an audience in the emotional state expressed in this song, which stems from a feeling of being unappreciated, digitally.
Within the context of the freshly started live transmissions that show the creative process of KiNo, this single is the initial layer, a narrative device about his mission to accrue an audience. A series of singles will build upon this very notion of digitally enforced solitude and turn up as a complex feature in the cinematic realm of NEW VAGUE CITY.